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![]() ![]() Step 1: Start Verdi and load test20 database¶ Start Verdi and load test20 waveform database by typing the command verdi -ssf test20/novas.fsdb. Luisa and her father leave their house and greet their friends, commenting on the beauty of their song and the beautiful. Laura and the villagers sing a gentle chorus to summon Luisa for her birthday celebration (Tidesta, Luisa). The villagers are gathered to celebrate Luisa's birthday. The timescale is set to 1fs to avoid any issue related to simulator resolution. Lab 5: Bring up Verdi¶ This module provides instructions for loading a graphical tool to debug a design which is commonly used in integrated cicuit design workflows. Synopsis Act I: Love Scene One Setting: A pleasant village. Which one of the two simulators is more compliant to the IEEE 1800-2017 SV standard ? In my opinion, according to my comprehension of the standard, the first simulator is more compliant. If, on the other hand, I change the output skew delay, using a delay smaller (es 10ps) than the 100ps delay, the second simulator behaves as the first one ( the a signal changes after the second posedge with the the output skew of 10ps). On the other hand, with the second simulator, the clocking block output acts on the FIRST clock, and the effects can be seen on the first falling clock edge. NSITEXE also used Synopsys Verdi automated debug system to enhance debug, coverage, and planning with Z01X simulation. With the first simulator, the clocking block output a acts on the second posedge, with the signal changing on the second falling edge. I observe a different behavior while running it with two EDA simulators. Jens received his Master of Science degree in Data Processing from the University of Siegen, Germany.Repeat(10) signal changes after 100ps after the clocking block event through an output synchronous drive. Previously, Jens spent 5 years at Philips Semiconductors where he gained expertise in the design and verification of complex Multimedia SOCs for consumer products. Currently, his focus is to help Synopsys customers maximize their productivity using VCS, Verdi, Siloti and Certitude. Fully integrated with all Verdi debug views, it allows users to quickly analyze and cross-probe any holes identified through coverage analysis. He has more than 15 years of experience in the EDA and semiconductor industry, specializing in the verification and debug of IPs and System-On-Chips. Synopsys innovative planning and coverage analysis technology is built on top of the Verdi environment recognized for being optimized, extensible and easy to use. We will also introduce Verdi 3 HW-SW Debug, for instruction-accurate embedded processor debug, raising productivity in this critical area.īiography : Jens Dickel is Field Applications Consultant for Synopsys in the Central European region, having joined as part of the Springsoft Acquisition in 2012. This presentation will overview some of the technologies underpinning Verdi 3’s success, including Siloti, for debug visibility optimization, Verdi 3 Power-Aware Debug for low power debug and ProtoLink for prototype debug. Synopsys’ debug solution, built on top of the Verdi 3 advanced debug platform, solves the most complicated SoC debug problems, all the way from RTL to gate-level design. To address these debug challenges, Synopsys is taking a lead in providing productive debug environments, applicable in verification flows based on all simulators, all languages and all methodologies. When we add on the additional complexity of debugging designs in the presence of the embedded software, then debug can easily become non-deterministic and open-ended. Furthermore, many debug “artists” have to work in multiple media, making it harder for their talents to be productively re-used. ![]() Even as verification has moved from directed tests towards a methodical “science”, debug has remained an “art”. ![]() The Technology of Debug: Turning Art into a ScienceĪbstract : When users are asked to list their verification challenges, debug consistently appears at or near the top of the list. ![]() ![]()
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I have only used it a handful of times,įlocking or Flock heat transfer vinyl is used to create fuzzy or almost velvety like texture on the fabric surface it is applied. Hot-peeling is a great feature because you can save time, reveal your design that much faster, or begin applying your next layer sooner.įlock heat transfer vinyl is one of the neatest heat transfer vinyl types to work with. Some vinyl brands require you wait until the vinyl has cooled down before removing. ![]() *Tip: Peeling the transfer sheet hot, or a hot peel is simply when you just finished pressing your design onto your shirt, and now you are ready to remove the top plastic sheet. You can also peel away the transfer sheet while it is still hot. This vinyl also requires a medium pressure and again only needs 302 degrees to transfer to your shirt. Working with its amazing, and it comes in a variety of 56 colors! Give me all the glitter. I found my self stumbling my words because ideas were pouring in of all the shirts I wanted to make with Glitter Flake heat transfer vinyl. They have amazing colors and after trying it for the first time I couldn’t get over the gorgeous sparkle it provides. I’ve worked with my fair share of glitter vinyl, but the Stahls Glitter Flake vinylis pretty amazing. You can then peel the transfer sheet either warm or cold peel. Just like the Ultra weed, the Premium Plus vinyl adheres to the shirt or fabric at 12 seconds at 280-300 degrees, and medium pressure. Once you get into making several, you learn to appreciate that little give and stretch feature. This vinyl has a little bit of stretch to it which is a nice feature when it comes to making t-shirts. This vinyl is thick to the touch than the Ultra Weed but not by much.Ĭurrently, there are also 8 limited edition colors to add to as well. ![]() Just like the Ultra Weed, it comes in just almost as many colors at 36 choices for all of your t-shirt making needs. The Premium Plus Vinyl is very similar to the Ultra Weed. It’s definitely on my list for my next purchase. But if you are in the market one Stahls sells the cutest pink crafters heat press you ever did see. You do not need a heat press for this vinyl. And this vinyl will give you great quality every time. This is great because if you are a beginner a household iron will get the job done. Apply medium pressure and peel the transfer sheet hot. This vinyl adheres to fabric or your t-shirt within 12 seconds, at a low temperature of just 260-300 degrees. In fact, in my video below, I believe I say it several times and even once like “buttah”. I just don’t know how to explain any better than that, but that is the truth. Ultra Weed Heat Transfer Vinylweeds so nicely it is like butter. If you are a new maker to the heat transfer shirt game, weeding is simply the removal of the vinyl (after it has been cut) that you don’t want or need for your design.Įssteissnally the negative part or piece of the project. The reason I refer to this vinyl as the “go-to” vinyl is because it is so simple and easy to use when it comes to weeding. It comes in 37 different colors which is a lot to choose from when making shirts of any kind of type. This vinyl is the go-to vinyl just like I mentioned before. Stahls Heat Transfer Vinylīefore I break down the process of making a heat transfer (iron-on) vinyl t-shirt, let me first explain the four types of heat transfer vinyl most people will work with when it comes to making shirts. T his post contains some affiliate links for your convenience (which means if you make a purchase after clicking a link I will earn a small commission but it is at no additional cost to you)! Read my full disclosure here. In fact, I was able to test out and review four different types of heat transfer vinyl from them, and I must say I was impressed with the overall ease of use and quality. Stahl’s Ultra Weed Heat Transfer is the perfect go-to vinyl for all of your basic needs when it comes to making t-shirts. In this tutorial, I walk you through the process of making a heat transfer vinyl or iron-on vinyl t-shirt using the Stahls brand of heat transfer products. People buy cutting machines to learn how to make t-shirts. This is a simple project for beginners and I walk you through the process step by step. Make easy Heat Transfer Vinyl shirts with Stalhs Ultra week and Glitter Flake vinyl with your Silhouette Cameo or Cricut. ![]() ![]() Independent filmmakers - United States - Interviews. ![]() Performance artists - United States - Interviews. Smith, Jack, 1932-1989 - Criticism and interpretation. ![]() It was directed by Mary Jordan and produced by Tongue Press Productions. It is a collection of interviews and clips by and about the revolutionary artist Jack Smith. Special features: Glitter Agosto Machado with Mario Montez on The Master Lawrence Rinder on Jack's legacy Ken Jacobs on life as theater Jack's loft Mario Montez on being Mario Montez Nayland Blake on the art world Holly Woodlawn on Jack and Andy George Kuchar on Jack and the creatures Colette and Vivienne Dick on Jack at the Cologne Art Fair Ronald Tavel on modeling for Jack Judith Malina on art and capitalism Sylvère Lotringer on Jack vs. Jack Smith and the Destruction of Atlantis is a documentary film that premiered in the 2006 Tribeca Film Festival. Pays homage to New York's ultimate anti-hero and the original King of the Underground. The film also delves into Smith's tenuous relationship with Andy Warhol - who adopted Smith's ideas in his own work. Filmmaker, actor, and pioneer of underground cinema, he is generally acclaimed as a founding father of American Performance Art, and has been critically recognized as a master photographer. and b&w 4 3/4 in.Ĭommentary: Nayland Blake, Ira Cohen, Tony Conrad, Richard Foreman, Helen Gee, Robert Heide, Gary Indiana, Ken Jacobs, Mike Kelley, George Kuchar, Sylvère Lotringer, Agosto Machado, Judith Malina, Taylor Mead, Jonas Mekas, Mario Montez, Billy Name, Lawrence Rinder, Andrew Sarris, Jerry Tartaglia, Ronald Tavel, John Waters, Holly Woodlawn, Mary Woronov, Nick Zedd, John Zorn.Ĭinematographers, Mary Jordan, Jon Fordham editor, Alex Márquez.Ī collection of interviews and clips by and about the revolutionary American artist Jack Smith. Disponible ahora en - NTSC DVD in Plastic Case - Arthouse Films, New York - 2007 - Condicin del libro: As New - Edition Not Stated - Presumed. ![]() |
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